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OZZI-BLOKE
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« on: February 15, 2009, 07:26:00 AM »

This is my daughter Candice. I thought I would try some portrait type shots but it is something I need to learn a fair bit about.


« Last Edit: February 15, 2009, 07:31:27 AM by OZZI » Report to moderator   Logged
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« Reply #1 on: February 15, 2009, 07:43:13 AM »

I take it this is the culprit that watches all the Home & Away for you ! ha, ha ! On the whole Ozzi I think this is pretty good. Her pose is good, angled just enough to show evidence of her right arm and her face toward her shoulder. Nice. I would have altered your depth of field to blur that background as it is a big distraction. Glasses are always a problem with reflections so they need to be removed or angled to avoid this, I found myself looking at the reflection to see if there was a photographer there. The only other thing I would recommend for outdoor portrait is a diffused flash to lighten up the subject a bit more. You seem to have the concept right just a little tweaking needed.
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« Reply #2 on: February 15, 2009, 02:03:40 PM »

What mode on the camera did you use, nd what size lens?  Portrait mode is one of the few pre-programmed ones I wuld consider using, asit does separate the subject from the background as Deek suggests, and a 135 lens (full frame) or round 90 (crop sensor) works well.
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« Reply #3 on: February 15, 2009, 05:20:44 PM »

I agree with the previous two comments.
First up Candice is a little bit uncomfortable in the shot, but the answer there is just a bit of time trying different (relaxed) poses and inolving props like a fence or a log or a grassy mound or an old chair or bench, or rock, or rustic wall, something for the subject to interact with (leaning, sitting, reclining, holding).
2nd, the sun is quite high and you will find it is best to shoot very late in the afternoon when the light is very soft and low.
In brighter contrasty light you need to subtract a bit by choice of location.
3rd, try as Derek and Odille suggested move the subject well forward of the back ground and shoot at the widest possible aperture.

Sometimes shooting with a longer lens helps to seperate the layers too. It is all good fun trying to get "the shot" and I'd suggest grabbing hold of any friends and family that will spend 20 or 30 minutes with you trying different combinations.
I find that the best way to raise the level of inspiration is to look at the work of leading exponents: Check out the poses and light at these sites:
Kelly Munce: http://www.kellymunce.com/ Kelly only picked up camera later in life after raising a family. Within 5 years she was stealing the show at major international competitions. Stunning, beautiful work. Check out how she has convinced a heavily pregnant lady to lie in the local creek and the result!
Greg Dries: http://www.moodsphotography.com/ Greg is a Master photography and happens to be a brother-in-law and is the reason for us being in the business. Again some pretty special shots
Rob Heyman: http://www.heymanphoto.com/ws/ Also a Master photographer. Speaks extensively on use of light.
Jerry Ghionis:  http://www.jerryghionisphotography.com/ has been rated one of the top 10 wedding photographers in the world. Speaks all over the world. But read his intro bio on the front page.. a very humble start. He just kept at it.

I visit sites like this a lot as they provide little ideas that you can draw from.
« Last Edit: February 15, 2009, 11:56:44 PM by admin » Report to moderator   Logged

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« Reply #4 on: February 15, 2009, 06:19:36 PM »

Thankyou for your comments. It was done with my Pentax K20D and Sigma 17-70mm f2.8-4.5 lens.
This camera is classed as an advanced amateur or semi professional so it doesn't have scene modes,
only the P A S M modes. The first shot was shot at-
1/250 sec @ f4.0 Full manual mode.
iso - 100 and 79mm (in 35mm terms)
Spot metering and centre spot focus
Shot in RAW at 1:50pm.
The second was shot at-
1/160 sec @ f3.5 Full manual mode.
iso 100 and 39mm (35mm terms)
Spot metering and centre spot focus
Shot in RAW at 1:43pm.
I realize it wasn't the best time of day but Candy wanted me to take a picture of her for her Bebo page.
And Derek, yes this is the Home and Away fan. The glasses were there because it was so bright and she couldn't keep her eyes open properly so I will have to find a better spot with shade.
And as you can see I am in the top shot nealing down getting the shot.
I was using the lergest aperature I could, thought this would be enough but its not so I was thinking about putting on my +3 close-up filter and trying that to see if it would reduce the DoF.
Definately need to find a better area for some practice shots, this was in the front yard, and will try to
remember about standing subject further away from background to. Candice has a hard time trying to
look relaxed when getting her photo taken so we will have to work on that to.
The only flash I have is the one on the camera so I will use that in the shade and dial in a bit
of minus flash exposure to see how that looks. I will also get some white cardboard to use it as a
bit of a reflector and see how that goes.
Thanks for you comments, there a great help.
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« Reply #5 on: February 15, 2009, 11:59:23 PM »

Is all good Paul. My daughters cringe when we try to photograph them!
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« Reply #6 on: February 16, 2009, 12:34:28 AM »

Yes, 79mm in 35mm equivalent is a bit short for portraits.  Try with one about = to 135-150.
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« Reply #7 on: February 17, 2009, 06:26:52 AM »

I will have to get another lens one day. I only got one lens with my camera, the Sigma 17-70, and Carol loaned me an old Sigma 100-300 but with the resolution and clarity of the Pentax it soon shows up
any short falls with the older lens. Goes to show how much of a difference the new technology makes
and how good the new lens coatings are. I would love a Sigma 70-200 f2.8 with a HSM in it.
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« Reply #8 on: February 17, 2009, 04:26:19 PM »

They get a good rap, and much less expensive than the Canon and Nikon versions.
100mm macro lens make for a good sharp portrait lens too!
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« Reply #9 on: February 18, 2009, 01:02:41 PM »

I've seen some good shots from newer Tamron lenses too.
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« Reply #10 on: February 19, 2009, 05:51:16 PM »

We have a Tamron 17-50mm XR Di ll f.2.8 that does a great job.
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